who packed the in on Friday night to see & Orleans Avenue openers were veritably bowled over by a pair of sets consisting of a wide range of authentic N’awlins alongside other contemporary genres. Traditional second-line harmonies from the first act were an appropriately subdued lead-in for the more exuberant headliner, whose brash horns, thick funk bass lines and rock guitar typify ’s sound, offering a fitting justification for his burgeoning popularity. Toss a few esteemed special guests into the mix and the concert became more than just a fun and social dance party but a showcase for the youthful, thrilling and talented ensemble, one of the best to emerge from The Crescent City in quite some time.

& Orleans Avenue has made a considerable impact around , as evidenced by the variety of buildings that they have filled in recent years. Since 2008 I’ve seen him at ranging from tiny () to mid-size (El Rey and Key Club – ) to gargantuan ( Bowl) but this was their first time playing the 1,200 capacity Fonda on Blvd. and the group clearly wanted to leave an impression on everyone in attendance, veteran devotees and newcomers alike. got the evening started effectively frequent, well received shout-outs to their hometown and call-and-response dotted throughout the accessible classic style-infused songs.

Hot 8 Brass Band
Hot 8 Brass Band

A short setbreak revealed that both floor and balcony were jammed to the gills with an audience ready to be blown away by Trombone Shorty’s instrumental skills and power to unite a crowd, honed through a lifetime of performances that began on Louisiana street corners and has led to worldwide accolades and TV appearances – one of which being a network event at the in 2012. Troy Andrews (Trombone Shorty’s real name) has clearly made the most of his 28 years thus far with limitless potential to come.

trombone

This escalating momentum carried him onto the Fonda’s stage like a whirlwind, blasting through high energy and uptempo tracks as the mass of bodies grooved in unison, sang along and exhorted him to conquer higher musical peaks. A handful of more patient tracks were interspersed which displayed a breadth to the group’s catalog as these forays into , R+B and jazz were equally impressive as compared to the louder ones. songs and teases punctuated the as portions or full versions of selections from Rage Against (“Bulls on Parade”), (“On Your Way Down”), / (“Fuck Wit’ Dre Day”) and 2Pac/ (“California Love”) were instantly recognizable and boosted the already jubilant mood in the room. Trombone Shorty also clearly demonstrated but one aspect of his overwhelming abilities with a circular breathing trumpet solo that consistently boggles the mind, no matter how many times I’ve seen him do it. Towards the end of their long set, , guitarist from , was introduced to jam with , an excursion that led to a version of “Hey Pocky Way”. It was a choppy rendition as Leo spent part of the song teaching Orleans Avenue the structure, but an enjoyable guest appearance nonetheless, replete with a flourishes of guitar pyrotechnics from the legendary player.

leonocentelli

Following that unexpected collaboration, more surprises were still in store as a trio of feather-adorned, costumed vocalists and percussionists sauntered through the audience and made their way to the front of the house. would then lead the assembled musicians in a few numbers, transforming the night into an early . These guest segments were timed perfectly as the show was past the witching hour of , but the majority of the crowd remained to see what other exciting occurrences might transpire.

wildmagnolias

There was one more notably unique, improvised moment during the encore when Trombone Shorty climbed down off the stage and made his way to the center of the floor, surrounded by the sweaty and exhilarated audience that had encouraged him all night long. At that point, the aforementioned dance party reached its apex as Shorty got everyone to the ground, only to explode skyward multiple times in a frenzy of adulation and appreciation for the we had all experienced. He and his band are a revelation, an honest and legitimate unit that lets their collective sound for itself…and what a joyous noise it is that they create!

trumpet

finale

Orleans Avenue are: Michael Ballard on Bass Guitar, Pete Murano on Guitar, Dan Oestreicher on Baritone Sax, Joey Peebles on Drums and Tim McFatter on Tenor Sax