bonnaroo 2013 fountain

Words and Photos by Stephen Taylor

Friday was another beautiful day on the farm. Temperatures reached a mid-day high of 85 degrees, which is plenty to sweat about in a field, but about all you can hope for in the south in June. The weekend warrior masses descended on ready for Sir Paul’s debut on What Stage. McCartney conducted a 2.5 hour, career spanning set, cycling between his Rickenbacker bass, lead guitar, and piano. He ended his Wings hit, “Let Me Roll It” with a long, left handed guitar solo that segued into a “Foxy Lady”-esque jam, which he later dedicated to Hendrix, who he credited for learning every song on Sgt. Peppers in two days after its original release and covering it in a London club.

See below for other highlights from Friday:

The blind husband and wife couple from Mali treated That Tent to a late afternoon African dance extravaganza. From the jump, the rolling afro-beat and blues numbers entranced everyone inside and drew hundreds more passing by. The pair stands stoic, barely moving a muscle in front of their band, but their presence is affirmed through Mariam’s beautiful French, call and response singing and Amadou’s shredding of his golden Telecaster.

As the crowd filled in following McCartney’s final round of fireworks, and took the stage to perform a medley of perfectly executed James Brown numbers, including “Funky Drummer” and “Payback.” During this segment, and throughout the night, drummer was the star on stage, effortlessly impersonating a drum machine and reading cues from the many guests. also shined with her cover of the Fugees’ rendition of “Killing Me Softly.” The close of the show was orchestrated by , , and , who dropped crowd pleasers from the Wu-Tang catalog (“Triumph”, “C.R.E.A.M.”, etc.) for the second time that day after the rap ensemble’s Which Stage set. This time, however, the songs had a very different feel with at the helm and it was clear that the Staten Islanders were impressed.