Recently we heard that would be working on a release, something from the “old” archives before his recent success of Wakin on a Pretty Daze, pretty much our favorite release of the year. Today we get to hear the second track from that upcoming EP due out on November 4th, a mellowed-out track called “Serum”. The EP is called Plain; here’s some more about how it came together:

and Robert were introduced to each other back in 2001 by a mutual friend because they were born on the same day (January 3,1980), and by the following year they had begun recording these recently unearthed and previously unreleased tracks. As one of the most celebrated American songwriters of today, on his fifth studio album recently released to widespread international acclaim, Kurt Vile really needs no introduction (well he does have his own day in ). Collaborator and long-time friend Robert is a past member of The Violators, has toured in ’s band, but is best known for his own outfit, Sore Eros.

The EP’s title track takes its name from the town in Massachusetts, where it was recorded, referred to in the 19th century as “the Eden of America.” This unhurried and meandering track, that opens its simple finger-picked melody on acoustic guitar, is a melancholic evocation of a pastoral idyll that’s enhanced by the solely production employed across the whole record. The track proposes itself as a definitive piece of rich in visual imagery. But just as the “Eden” of Plain was a construct of the 1800s, the track acknowledges its modernity the harmonious use of electronic instruments, as the inspired use of drum machine that should really be incongruous, so that by the end, the Korg synth has mutated into a wistful bird song as the sun sets over Jamaica .

“Serum” is the closest this EP gets to a conventional song structure and length. Robinson’s naïve vocal style cuts through Vile’s gloopy laudanum influenced remix treatment of the instrumentation.

“Calling Out of Work” returns to the territory of “Jamaica Plain,” albeit a more abstract interior landscape. It was recorded a year later than the first two tracks at Kurt Vile’s home in , just before he went on to form with Adam Granduciel. Given the title and that biographically we know it was an unhappy time for Vile, working as a forklift truck driver, its easy to read this track as a form of meditative introspection.

Kurt Vile is still a bunch this year with but good luck getting a ticket at this point; he’s in high demand at the ticket window so don’t sleep on catching him in these smaller clubs.

Kurt Vile 2013

10/12/2013 – , / 2013 /
10/25/2013 – , NY / *
10/26/2013 – Philadelphia, PA / ^
10/27/2013 – Baltimore, MD / Ottobar ^
10/28/2013 – Charlotte, NC / Chop Shop ^
10/29/2013 – Athens, GA / 40 Watt Club ^
10/30/2013 – , SC / The Pour House ^
10/31/2013 – Jacksonville, FL / Jack Rabbits ^
11/01/2013 – , FL / Grand Central +
11/02/2013 – Orlando, FL / The Social ^
11/03/2013 – Tallahassee, FL / Club Downunder ^
11/04/2013 – Mobile, AL / Alabama Box ^
11/05/2013 – , LA / One Eyed Jack’s ^
11/06/2013 – Houston, / Walter’s #
11/08 -11/10/2013 – , /
11/11/2013 – Oxford, MS / Proud Larry’s ^
11/12/2013 – Chattanooga, TN / JJ’s Bohemia ^

* w/ ,
^ w/ Beach Fossils
+ w/ Beach Fossils, Band in Heaven
# w/ Beach Fossils,

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